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I photograph with projection in mind and am careful to stay aware of the movement and light that occupy space. Matting and framing my images for exhibition makes the photos seem uncomfortably static and lifeless. After producing At the Edge of Wilderness, my first encounter with the multi-media installation
world, and inspired by Nicole Dextras' and Pae White's 3-D works, I decided to explore the realm of installation. I am moving away from traditional 2-D presentations of photographic work toward 3-D arrangements, incorporating found objects with my semi-abstract photographs of urban and industrial deterioration.
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These
works were presented at the Galiano Art Gallery, the Glass Onion
Gallery and the Cityscape Community Art Space of the North Vancouver
Community Arts Council in 2002. The displays drew public interest
and satisfied my desire of moving toward contextual installations.
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A fourth
piece entitled Photo Album is an assemblage of found metallic
objects and a series of small photographs mounted on an old, rusty
cot spring. The photographs, details and textures of neglected and
decaying objects, were taken in old and current industrial areas
of BC, such as in abandoned mines of the Kootenays, and in shipyards
and factories of Vancouver. The metallic objects are found on the
ground during my photography outings in Vancouver and surrounding
areas. Everyone can come across these mundane objects in any industrial
or urban street. The folding-cot spring was found beside a garbage
bin on 8th Avenue and Main Street.
This
work was presented at Artropolis in the CBC Studios of Vancouver
in May 2003. It was part of the Residue curated show.
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Reproduction of material from any pages without permission is prohibited.
Copyright © Florence Debeugny 2000. All rights reserved. |
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